In the middle of the show, the band nailed a solos on the drums, and all of a sudden, I realized I was in one of those weird situations where I missed a note. And I wasn’t the only one. My band mates, our friends, and all of the people in the audience were all going, “Oh my God, did you hear that?! That sucked!” “I’m going to go get a drink, and I’ll be right back.” Me: “Well, if you don’t mind, I’m going to go get another drink.” Me: “I’m going to go get another drink, and I’ll be right back.” Me: “I’m getting another drink.” Me
This year, we’re skipping the yearly theme and just going to mix it up. As of late last week, it’s been almost exactly two minutes of my life since I’ve heard a new song that I’ve totally obsessed over. Normally, I’d be anticipating the new album from the band I love the most, but the first two albums from my favorite band on the planet (who also happen to be my favorite band on the planet) came out in 2017, and I’ve already heard the first song off the album on the radio twice. For the first time ever, I don’t know another song by this band on the radio that I like as much as the new song that came out at the end of last week.
It was a busy week; we did some work, we had a party, we went out to eat and we watched some movies. It happens to everyone, lately. But sometimes one thing after another can leave you feeling like you’re in a two minute dejavu.
‘Beyond the Infinite Two Minutes’ is a Japanese sci-fi film that follows Junta Yamaguchi’s wonderful film ‘One Cut of the Dead.’ The Kikaku theatre company filmed this amazing work of motion art completely on an iPhone in one continuous shot authored by Makoto Ueda.
The quagmire scenario of being trapped in a continuous-time loop is shown in ‘Beyond the Infinite Two Minutes.’ We meet Kato, a straightforward guy who runs a coffee shop and is a promising musician, with a sweet spot for the lady who works next door. It’s the end of the work day, and he’s heading upstairs to his apartment, leaving his staff to lock up. When he gets home, his computer screen begins talking to him, but it’s really him on the screen. Kato is two minutes in the future, according to the mirror image on the screen. There is another monitor in the café below sometime in the movie that shows Kato’s two minutes in the past.
The whole film is about the economics, right down to the time, location, premise, and character, which is jam-packed with gimmicks. The movie starts off lightheartedly by constantly showing viewers how the two-minute time TV wormhole scenario plays out. We eagerly follow the characters as they go back and forth between the current and future versions of themselves, essentially having the same many conversations twice, which is done on purpose so that the viewer understands the reasoning. One would expect this to be tedious and time-consuming, yet the directors and actors manage to keep things engaging and exciting.
The gimmicks become old after a while, so Yamaguchi adds a third time period, the past, to keep things interesting. The characters’ continuous messing with time constraints creates fresh twists and turns as they move between periods. It has several levels of narrative, but it does seem like a stage play at times. While certain events are a little over the top, and the acting is a little overdone at times, it is still good and entertaining without going beyond.
The finding is puzzling, however, as the characters get used to the allure of the two-minute time loop and decide to push the boundaries a bit to see how far they can go. Throughout the film, their efforts are evident in clever writing that provides just enough information to keep things tight while simultaneously exposing fresh and explosive possibilities. One thing worth noting is that, as is anticipated of humans in different situations, their foreshadowings of the future spiral out of their control, producing interesting and sometimes funny consequences.
The writing is not only well-written, but also entertaining. The performers immediately immerse themselves in the ridiculousness of the situation, completely embracing the characters. All of these over-the-top performances are engaging and appealing. It’s intriguing to watch what they’ll do and how they’ll get themselves out of this strange predicament. The conversation isn’t great, but it’s possible that it’s just a matter of messages being mixed up in translation. The picture isn’t very wide, but the humorous performance shines through. The audience becomes engrossed in the situation, laughing and cheering them on as they enjoyably attempt to figure out what’s going on.
The summer soundtrack that plays at the film’s beginning seems out of place since it sounds like accordion music; yet, the basic electronic rhythms that play later in the film enhance the mood because they are more in keeping with the movie’s subject. There is some somewhat weird things going on towards the conclusion of the film, and the climax is very disappointing.
There are some very profound ideas hidden within the jokes. The ideas explored in this film aren’t new; nevertheless, the manner they’re presented is what sets it apart. Being able to look into the future regardless of the amount of time available makes the team feel obliged to live up to that expectation. They’re concerned and terrified of contradicting what they’ve already envisioned as their future in the next two minutes, and they’re forced to make decisions they wouldn’t normally make. As the future timeline closes, we witness people stuck in place by previous actions, and the film attempts to convey the important lesson that many human beings are plagued by their pasts, terrified of what the future contains, and frequently frozen in place, frightened to go ahead or backward.
However, it is the way the character relationships and underlying issues are handled that makes this picture stand out, not its brilliant structure or humor. Even if the pace is still frantic, viewers learn something about the various individuals and how they operate together as a team and connect with one another. Coming face to face with the future allows Kato to confront his fears, become less intimidated by change, and finally prepare to re-evaluate his priorities, demonstrating that one does not have to be a pessimist to be innovative, and that sometimes all humans need is to simply look at what is right in front of them.
‘Beyond the Infinite Two Minutes’ is a pleasant, funny, and intellectual science fiction film. It’s a time travel tale that speaks to the contemporary way of life and emphasizes the importance of the present moment in connection to what has gone before and what is still to come. The whole 70 minutes will be well worth your time, and be sure to stay to the end to see the magic unfold, revealing how everything came together in a behind-the-scenes surprise.
SCORE: 8 OUT OF 10
What’s this? It’s a second chance. But no, not a second chance to make a good choice; I am talking about the second chance to make a great choice. And that’s what I am taking: a risk. I am taking a chance, and I am doing the right thing.. Read more about feelings of déjà vu and anxiety and let us know what you think.
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